這是Richard Lester最好的一個(gè)片。 An absurdist classic This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge' - and the mummy bear said, 'that's no porridge, that was my wife' . Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to keep moving!. Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
回答：這部影視作品的場(chǎng)景布景設(shè)計(jì)獨(dú)具匠心，展現(xiàn)出獨(dú)特的美學(xué)風(fēng)格，給人留下深刻印象。
《坐臥兩用室》劇情設(shè)置是否出人意料？有沒(méi)有令人難忘的反轉(zhuǎn)？
回答：劇情設(shè)置充滿(mǎn)驚喜，充斥著出人意料的情節(jié)發(fā)展，令人印象深刻的反轉(zhuǎn)讓觀眾大呼過(guò)癮。
《坐臥兩用室》如果這部影視作品能與其他影視作品跨界合作，您認(rèn)為哪部作品最適合？
回答：如果這部影視作品能與其他作品跨界合作，我認(rèn)為與相同領(lǐng)域的編導(dǎo)進(jìn)行合作會(huì)非常有趣，兩部作品風(fēng)格相近，可以帶來(lái)許多有趣的元素。
《坐臥兩用室》如果您能改編這部影視作品的結(jié)局，您會(huì)選擇怎樣的結(jié)局？
回答：如果我能改編這部影視作品的結(jié)局，我可能會(huì)選擇一個(gè)更加開(kāi)放或懸疑的結(jié)局，讓觀眾產(chǎn)生更多想象空間和討論話(huà)題。
《坐臥兩用室》這部影視作品中是否有一句對(duì)白或臺(tái)詞讓您印象深刻？能分享一下嗎？
回答：這部影視作品中有一句對(duì)白“你真好看”讓我印象深刻，這句話(huà)深刻表達(dá)了角色的內(nèi)心世界。
《坐臥兩用室》如果您能在這部影視作品中扮演一個(gè)角色，您會(huì)選擇哪個(gè)角色？為什么？
回答：如果我能在這部影視作品中扮演一個(gè)角色，我可能會(huì)選擇飾演男一號(hào)，因?yàn)檫@個(gè)角色的成長(zhǎng)歷程和情感轉(zhuǎn)折讓人動(dòng)容。
《坐臥兩用室》在您看來(lái)，這部影視作品最大的亮點(diǎn)是什么？
回答：在我看來(lái)，這部影視作品最大的亮點(diǎn)在于心意十足，這一特點(diǎn)讓整部作品顯得獨(dú)具魅力。
