The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive Katharmoi (Purifications) and Peri Phuse?s (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna. The German writer Friedrich H?lderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, H?lderlin’s English-language translator, the main reason why H?lderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination. Huillet-Straub’s The Death of Empedocles is based on H?lderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
回答：這部影視作品的場(chǎng)景布景設(shè)計(jì)獨(dú)具匠心，展現(xiàn)出獨(dú)特的美學(xué)風(fēng)格，給人留下深刻印象。
《恩培多克勒之死》劇情設(shè)置是否出人意料？有沒(méi)有令人難忘的反轉(zhuǎn)？
回答：劇情設(shè)置充滿驚喜，充斥著出人意料的情節(jié)發(fā)展，令人印象深刻的反轉(zhuǎn)讓觀眾大呼過(guò)癮。
《恩培多克勒之死》如果這部影視作品能與其他影視作品跨界合作，您認(rèn)為哪部作品最適合？
回答：如果這部影視作品能與其他作品跨界合作，我認(rèn)為與相同領(lǐng)域的編導(dǎo)進(jìn)行合作會(huì)非常有趣，兩部作品風(fēng)格相近，可以帶來(lái)許多有趣的元素。
《恩培多克勒之死》如果您能改編這部影視作品的結(jié)局，您會(huì)選擇怎樣的結(jié)局？
回答：如果我能改編這部影視作品的結(jié)局，我可能會(huì)選擇一個(gè)更加開放或懸疑的結(jié)局，讓觀眾產(chǎn)生更多想象空間和討論話題。
《恩培多克勒之死》這部影視作品中是否有一句對(duì)白或臺(tái)詞讓您印象深刻？能分享一下嗎？
回答：這部影視作品中有一句對(duì)白“你真好看”讓我印象深刻，這句話深刻表達(dá)了角色的內(nèi)心世界。
《恩培多克勒之死》如果您能在這部影視作品中扮演一個(gè)角色，您會(huì)選擇哪個(gè)角色？為什么？
回答：如果我能在這部影視作品中扮演一個(gè)角色，我可能會(huì)選擇飾演男一號(hào)，因?yàn)檫@個(gè)角色的成長(zhǎng)歷程和情感轉(zhuǎn)折讓人動(dòng)容。
《恩培多克勒之死》在您看來(lái)，這部影視作品最大的亮點(diǎn)是什么？
回答：在我看來(lái)，這部影視作品最大的亮點(diǎn)在于心意十足，這一特點(diǎn)讓整部作品顯得獨(dú)具魅力。
加載中...
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