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The Doll is an adaptation of the novel, The Doll (novel) by Boles?aw Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Boles?aw Prus a potential candidate for the Nobel Prize in literature. The influence of émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black).　　The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful.　　This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz.　　Plot　　As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz ??cki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his help (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

回答：這部影視作品的場(chǎng)景布景設(shè)計(jì)獨(dú)具匠心，展現(xiàn)出獨(dú)特的美學(xué)風(fēng)格，給人留下深刻印象。

《玩偶1968》劇情設(shè)置是否出人意料？有沒有令人難忘的反轉(zhuǎn)？

回答：劇情設(shè)置充滿驚喜，充斥著出人意料的情節(jié)發(fā)展，令人印象深刻的反轉(zhuǎn)讓觀眾大呼過癮。

《玩偶1968》如果這部影視作品能與其他影視作品跨界合作，您認(rèn)為哪部作品最適合？

回答：如果這部影視作品能與其他作品跨界合作，我認(rèn)為與相同領(lǐng)域的編導(dǎo)進(jìn)行合作會(huì)非常有趣，兩部作品風(fēng)格相近，可以帶來許多有趣的元素。

《玩偶1968》如果您能改編這部影視作品的結(jié)局，您會(huì)選擇怎樣的結(jié)局？

回答：如果我能改編這部影視作品的結(jié)局，我可能會(huì)選擇一個(gè)更加開放或懸疑的結(jié)局，讓觀眾產(chǎn)生更多想象空間和討論話題。

《玩偶1968》這部影視作品中是否有一句對(duì)白或臺(tái)詞讓您印象深刻？能分享一下嗎？

回答：這部影視作品中有一句對(duì)白“你真好看”讓我印象深刻，這句話深刻表達(dá)了角色的內(nèi)心世界。

《玩偶1968》如果您能在這部影視作品中扮演一個(gè)角色，您會(huì)選擇哪個(gè)角色？為什么？

回答：如果我能在這部影視作品中扮演一個(gè)角色，我可能會(huì)選擇飾演男一號(hào)，因?yàn)檫@個(gè)角色的成長(zhǎng)歷程和情感轉(zhuǎn)折讓人動(dòng)容。

《玩偶1968》在您看來，這部影視作品最大的亮點(diǎn)是什么？

回答：在我看來，這部影視作品最大的亮點(diǎn)在于心意十足，這一特點(diǎn)讓整部作品顯得獨(dú)具魅力。

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