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丹麥小村教堂更新HD中字

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更新：2025-08-03 04:32

簡介： The history of Danish country church architecture.. 詳情

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The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church.　　On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

回答：這部影視作品的場景布景設計獨具匠心，展現出獨特的美學風格，給人留下深刻印象。

《丹麥小村教堂》劇情設置是否出人意料？有沒有令人難忘的反轉？

回答：劇情設置充滿驚喜，充斥著出人意料的情節發展，令人印象深刻的反轉讓觀眾大呼過癮。

《丹麥小村教堂》如果這部影視作品能與其他影視作品跨界合作，您認為哪部作品最適合？

回答：如果這部影視作品能與其他作品跨界合作，我認為與相同領域的編導進行合作會非常有趣，兩部作品風格相近，可以帶來許多有趣的元素。

《丹麥小村教堂》如果您能改編這部影視作品的結局，您會選擇怎樣的結局？

回答：如果我能改編這部影視作品的結局，我可能會選擇一個更加開放或懸疑的結局，讓觀眾產生更多想象空間和討論話題。

《丹麥小村教堂》這部影視作品中是否有一句對白或臺詞讓您印象深刻？能分享一下嗎？

回答：這部影視作品中有一句對白“你真好看”讓我印象深刻，這句話深刻表達了角色的內心世界。

《丹麥小村教堂》如果您能在這部影視作品中扮演一個角色，您會選擇哪個角色？為什么？

回答：如果我能在這部影視作品中扮演一個角色，我可能會選擇飾演男一號，因為這個角色的成長歷程和情感轉折讓人動容。

《丹麥小村教堂》在您看來，這部影視作品最大的亮點是什么？

回答：在我看來，這部影視作品最大的亮點在于心意十足，這一特點讓整部作品顯得獨具魅力。

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